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MOYANO WHERE DRIVING THE GENDER PERSPECTIVE? THE HEALING K

The Australian Human Rights Commission proposes up to 20 sexual identity, transgender, trans, transsexual, intersex, androgynous, agendas, cross dresser, drag king, drag queen, genderfluid, genderqueer, intergender, neutrois, pansexual, pan-gendered, third gender, third sex, and more ... Gender mainstreaming is an ideology according to which humans have no biological predetermination as male or female. This new world view, away from the natural laws that marks the first conception of sexuality is reproduction, is presented as a new paradigm.

Gender as a social category. His supporters regard him as one of the most significant theoretical contributions of contemporary feminism, although the role of women is difficult to define in a conception that considers gender as there is no own natural identity of women, as there is for man, but part the principle of multiplicity of identities and gender. According to this theory says the differences between men and women respond to a cultural structure, social and psychological rather than biological conditions. In other words, the company invented the differences between the sexes, they do not have a natural origin. Moreover, it denies that human beings are distinguished in two sexes: male and female, and said that more combinations that result from physiological areas 'biological sex', ie the internal and external sexual organs. There is no man or woman 'natural', and there are sets of characteristics or behaviors characteristic of one sex. In short, gender ideology believes that heterosexuality and procreation are not a central feature of the species and human society but another social construction biologized. Australia offers up to 20 sexual identity of gender ideology has become a dream not of reason but of irrationality and created monsters. An example of these monsters is humanity seen by Australian Human Rights Commission in its working paper lists up to 20 different gender identities. In the working paper of the AHRC (for its acronym in English) lists the following gender identity, transgender, trans, transsexual and intersex. For those that follow: androgynous, agendas, cross dresser, drag king, drag queen, genderfluid, genderqueer, intergender, neutrois, pansexual, pan-gendered, third gender and third sex. They also introduce the cultural heritage of the indigenous peoples of Australia, and add identities such as brotherboy sistergirl and that seems to exist between Aboriginal and Islander Torres Strait same time, gay groups are identified as LGBT (lesbian, gay, bisexual, transgender). A symbol that have been added, almost universally, the Q (queer) and I (intersex), which gives: LGBT. In all this type of genre categories should be added of transsexuals who are awaiting treatment, those who have had hormone treatment, those who have had hormone treatment and surgery, and those who were treated with hormones and surgery, but they are not happy and want to reverse these procedures. The aim of the AHRC through this proposal is to deepen the imposition of gender ideology in that country to expand the supposedly anti-discriminatory legislation. This argument is centered on the same madness of racial identification that devastated the eighteenth and nineteenth century colonial imperialism and racist ideologies of the moment.

(ForumLibertas.com)

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BRAKING AN AUDIT OF SOCIAL WORK

By Alfredo Gutierrez

The ruling party in the Senate failed to halt a crackdown on opposition the controversial issue of social work: The opposition claimed that the critical reports of the Auditor General's Office (AGN) in 2005 were sent as background to the court case by the drug mafia that holds prosecuted or detained on a number of union . But from the Front for Victory achieved -For 46 to 15 votes - that the reports are sent only to the executive branch "to report on measures taken" to correct the problem.

The audit report, which put the magnifying glass on the Special Programs Administration (EPA), Ministry of Health, is not new: it is the period 2002-2005, but recently he was treated now in the Senate. He observed d ECENA irregularities, and lack of control premiums with subsidies and reimbursements for social work union.

The PSA manages about $ 1,000 million a year to subsidize social work in highly complex treatments. The AGN detected for example in the influenza season of 2004, the EPA provided grants to six social work for $ 25 per dose, while the rest of the lenders made a pact with the PAMI $ 12 the same vaccine. In terms of performance of high complexity, in 2000 received the gastronomic 1.3 million, but only held accountable for 550,000, the Guild of Health he became "outs" transfers not rendered by 240,000 pesos and rail José Pedraza received 423,284 . According to the radical Gerardo Morales, the report shows "defraudatorios mechanisms, dies or photocopied phony, archived files that are bailed to return to surrender, and trading punches, "among other irregularities. "It's a parent to understand why there is so much corruption," he said. Since the ruling, Nicolás Fernández said that the reports were "old, about things that happened 5 or 6 years" and that it was "corrected." He said in the release of the EPA shows that the observations were corrected. Miguel Pichetto bellowed: "Do not believe a priori that trade unionists are corrupt in handling the funds." Clarín, 11/04/1914

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Valley Man

man cursed valley
1964
Spain v Italy
Director : Cousin & Siro Marcellini Zeglio
Cast : Ty Hardin , Iran Eory, Piero Leri, Joe Kamel, Jose Nieto, John Bartha, Jose Marco, Rafael Albaicín, W. Hacobre, Phil Posner, Giovanni Petti, Luis Induni

Screenplay: Eduardo Manzano Brochero, Eduardo Di Lorenzo Photo
: Remo Grisanti, Alfredo Fraile
Music: Francesco De Masi, Manuel Parada


SYNOPSIS: Gwen Barrett, a white woman married to a "civilized "Indian despite opposition from his father, is kidnapped by the Apaches. After being released by her husband Walscott meets Johnny, a lonely cowboy with a sad past love, the care and the accompanying Uvaldo, the nearest town, where they will suffer the misunderstanding of his father and must take a painful choice.

English-Italian co-production directed by Primo Zeglio 1964, although its authorship is attributed to Siro Marcellini, writer and filmmaker who filmed having basically adapted adventure films in the early nineteen- sixties to the prevailing fashion of western euro with films like "The rural Texas," "The four ruthless" or "Winchester one in a thousand" .

is therefore a pre-boom western Encyclical, produced by Eduardo Manzano, key figure in the birth and development of western Hispanic, through its Phoenix Films and Ernesto Gastaldi, a lawyer restless love of cinema, a key figure not only in the development of western Mediterranean to produce the most films set in the West made by the pioneer for Joaquín Luis Romero Marchent the sixties, and some of the best spaghetti made as "Death was a price," "The Good, the Bad and the Ugly," "The Flame and the prey," "Face / Off or " Salary to kill ", but also in European cinema in the sixties to mid seventies, and that through his company, the European Produzioni Associati (PEA) and having secured the international distribution of its films through United Artists, authors collaborated with the likes of Fellini (" Satiricon ", "Casanova ), Pontecorvo (" Queimada "), Bertolucci (" Last Tango in Paris "," Novecento "), Pasolini (so-called trilogy of life and" Salo or the 120 Days of Sodom ") and even with Billy Wilder, (" What happened between your father and mother? ").

modest proposal with clear budget shortfalls and what is worse, both technical and artistic. So after some initial credits aesthetic of the western series of the fifties and early sixties that proliferated in American television (do not know if it was a desired effect since starred Ty Hardin one of them) the film scene opens with a clear example of what not to be the direction, setting and interpretation of a movie if you want to be minimally credible. But the worst thing is that thanks to an embarrassing script and clumsy direction the movie is at this level throughout their development, thank goodness it only lasts for eighty minutes. So in the next scene, in a resounding raccord error, we see that the dress she had broken the protagonist in the struggle with the Indians appears miraculously sewn, and then witnessing the persecution of Tamura, the Indian husband of Gwen, by the Apaches that seems taken from a western made in series starring John Wayne in the thirties, we see another scene like this comes to a ranch, of course unfurnished, where he waited three Indians, after killing them, the same goes, of course one wonders what the hell had gone to the ranch? o How did the Indians who would go there?; Meanwhile, Gwen Walscott has led to his cabin and there is about a well-known that Johnny just happens to ask whether you got a horse (they tell me how he could do if it is over because a horse ranch is lost in the mountains), as well as the visitor, another lynx, as Gwen does not drink thought to be India, but one that I know there were Indian-skinned and blond hair. And the whole movie is crazy at this level also going slowly tilting toward the cheesy melodrama with girl repellent included (daughter of former marriage of Johnny). To cap the film has certain claims to treat, albeit banal, the issue of problem of miscegenation and cultural relations in the Far West, with a message, I do not know if sought, somewhat disturbing: only good Indians are civilized and Tamura, ie those who have abandoned their culture and way of life, behave as a better target, and even dress like them. And all this we must add a somewhat pretentious dialogues are ridiculous and untrue, as maintained by Gwen and Johnny on the river, saying the first: "I am the daughter of Sam Barret. I understand that seems a monstrosity that a white woman married to an Indian, but I love him and always will love "(that just before they about to fall into his arms) and Johnny replied " know perfectly well that love does not fit prejudices ... everyone should come as his heart and conscience," as great, everyone was happy. And best of all is that no one understands, because he never explain it, the leitmotif of the film, that is the lair of the Apaches by Gwen to pursuing everywhere, kidnapping several times and even cause a slaughter in a ranch, rather a shack, in a battle scene shot clumsily.

The setting, designed by the normally reliable company established by Cubero and Galicia, is another failed, I suppose because of the narrowness budget. Thus both the people (in the interior and exterior views) and the estate of Sam Barret seem what they are: Andalusian houses, for what the actors are totally out of context in a more typical decoration for Curro Jiménez and robbers game.

As for the soundtrack of maestro Manuel Parada, although I have seen attributed to Francesco De Masi, without being a little marvel is salvageable of the film and has a main theme debtor classic westerns also reminds the aforementioned series.

As regards the division, in front of it, in order to make more commercial film, Ty Hardin is featured, low hours U.S. actor who had had great success with "Bronco " series set in the Warner Bross West were issued almost seventy episodes between 1958 and 1962. This gives life to a listless and in several scenes wearing his pecs to Johnny, a cowboy and help philosopher who falls in love with Gwen but in the end you know give it up. Beside him Eory Iran, Tehran-born actress who worked well in the English cinema of the sixties and ended up starring in multiple soap operas in Argentina during the next decade, performing shows all its limitations as Gwen, clear that their role gets it because it is the contradiction embodied: it is very much in love, or at least not tired of saying it, her husband and the first change makes ding Johnny, are you convinced all your ranch with Tamura, but nothing more to see his father convinces him to return to clear your a little man!. Thankfully, José Nieto goes around and puts a bit of experience and professionalism to embody Sam Barrett, an authoritarian man who has not accepted the marriage of his daughter Tamura because this is a red skin. Undoubtedly, the presence of this actor, tanning in countless movies, is also what little salvageable from the movie.

In summary, a western really bad, even below any decent TV movie, series b clone of Americans, only suitable for those who wish to complete their knowledge of the western Mediterranean and have much patience and time to lose.


SCORE

HISTORY: 1
AMBIENTE: 1
ADDRESS: 1
ACTORS 3
MUSIC: 5

MEDIA: 2.2

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a decrease in provincial autonomy

Nadin Argañaraz : President of the Argentine Institute of Fiscal Analysis (Iaraf)

An item with both economic and political edge is related to the degree of autonomy of resources that has a jurisdiction to carry out their public spending. In an election year like this, the question always arises as to whether the Argentine provinces depend more or less of the funds transferred by the national government. For the period 2003-2010 can be carried out by the provincial tax component analysis, comprised of both tax collection automatic shipments as the national government makes in federal revenue sharing and Federal Solidarity Fund (FFS).

The sum of these two sources, called the current tax revenue in the provincial accounts, represented in recent years an average of 80% of total provincial revenues. These revenues are characterized by a high degree of institutionalization, in the sense that they rely on provincial and national tax laws and the law of federal tax partnership. This adds interest to the analysis, because the autonomy that is analyzed is related to more automatic and predictability.

Following developments in provincial tax revenue flows over the past seven years shows that the provincial own revenue in the period grew at a rate of 25% annual average, while shipments federal revenue increased at an average annual rate of 26%. Following these behaviors, the provincial fiscal autonomy decreased between 2003 and 2010. In fact, 42% recorded for tax autonomy indicator in 2003 ($ 42 of every 100 originated as own revenue), it fell to a 40.5% in 2010. If income national origin includes the FFS, the indicator falls further, reaching a ratio of 39%.

While the total change is slight, half is explained by the fund established in April 2009 and which took full effect in 2010. Extreme cases, of course, are set within the jurisdictions in which the collection itself evolved differently than the average, resulting in an uneven situation the evolution of tax autonomy for each of them.

is interesting to note the two extreme cases. Tierra del Fuego was the most increased tax autonomy, moving the indicator from 23 to 34%. Salta was among the jurisdictions that became more dependent on national tax revenues, from the rate of 22 to 16 percent. Although described above that the tax component explained about 80% of provincial funding, a measure of provincial autonomy in fiscal matters should include all resources (tax and non tax), whether generated by each jurisdiction as those received from federal government. This involves adding resources that do not have the characteristics of automaticity and institutionalization of the cigar tax, such as non-automatic transfers Nation to carry out a public work or income from the sale of provincial assets. In this case, information is available only to full year 2009.

A key insight is that non-automatic domestic transfers grew at an average annual rate of 42%, generating an even greater relative decline of provincial autonomy. In fact, the indicator rose, in this case, about 47% in 2003 to 41% in 2009.

Paradoxes

Despite similar trends of the autonomy of the whole Curiously in this case, a province like Salta, which was the most increased their reliance on only consider tax revenues, the province becomes more increased autonomy to consider the totality of public resources. Conversely, provinces such as Tierra del Fuego and Santa Cruz, who appeared as the most had increased their tax autonomy, they become among the provinces more autonomy lost overall. Discretion The important role played by the discretionary resources sent by the Nation is shown in the fact that in 2003 accounted for 6% of total provincial revenues and in 2009 became equivalent to 12 percent.

What happened in recent years with the Nation-Provinces relationship makes clear the need to discuss thoroughly the share of resources that should be left to the national government and which should go to provinces. But also, this new system of sharing should be as automatic and predictable as possible. The scope for discretion should be reduced to a minimum, if what you want is that change is truly sustainable.

The Nation, 10-4 -11